For about as long as video games have existed, developers have been chasing the dream of realism. And, for just as long, there have been those who believe that realism is overrated. You can count Shigeru Miyamoto, the legendary Nintendo designer behind Mario and Zelda, among those who aren't excited by the idea of games matching reality – even in the '80s, he figured Tom and Jerry was a better model to aspire to. In a 1989 interview for Japanese publication Gamer Handbook, recently translated by shmuplations, Miyamoto discussed how players often get frustrated by "animation-heavy games which prioritize visual smoothness over responsiveness." He made a vague allusion to the popularity of "karate games" – likely referencing Jordan Mechner's Karateka, the predecessor to Prince of Persia – and suggested that these titles offered "beautiful" movement, "but as games, they were pretty much failures." "It's about how it feels to the player," Miyamoto explained. "If you think about it, Mario's jumping ability is actually ridiculous... he'd be the greatest Olympic athelete ever! (laughs) If Mario only jumped as high as a human, then following real physics would be fine. And back in the Donkey Kong days, he only jumped about his own height, which didn't feel wrong. But once you're leaping three or four times your own height, you’ve already left 'reality' far behind." Nintendo's Shigeru Miyamoto saw games in the '80s becoming like "pornography" Shigeru Miyamoto had to "force" in Super Mario Bros 3's iconic Frog Suit because it was fun even though it sucked Without Super Mario Bros, Hideo Kojima "probably" wouldn't have become a game dev That's a major change from Donkey Kong to Mario Bros. – as the distance Mario could jump got more unrealistic, so did the kinds of falls he could survive. Miyamoto said that the idea of "unrealistic everyday life" is what makes games fun, offering "worlds that seem like they could exist in reality, but don't." In Miyamoto's view, programmers are the gods of the worlds they create, but "if that world doesn't feel convincing, no one will want to enter it. That's why an unrealistic everyday setting is about doing strange things within a set of rules that everyone accepts." So how do you create unrealistic worlds that feel like reality? For Nintendo, old-school comedy films and animated films offered tremendous inspiration. "That's basically what they did in cartoons from that era, like Tom and Jerry. That's why things like Chaplin or Tom and Jerry have been such vital fuel for our work." Nintendo's Shigeru Miyamoto saw games in the '80s becoming like "pornography": "I think the world of 'hidden secrets' in games has almost reached that same grotesque level."